🔥 Colored Vinyl Records For Sale - Vinyl records for arts, crafts, decorations and weddings

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Shop Color Vinyl Records at The Sound of Vinyl Now. Free U.S. Shipping ​gram Mixed Color 1LP. Kiss gram Green Vinyl LP.


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gram vinyl is only available in audiophile black vinyl, or natural (uncolored) vinyl. HANDMADE variants have strict limitations on the quantities that can be.


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Eric B & Rakim: Let The Rhythm Hit 'Em (Colored Vinyl) Vinyl. Eric B & Rakim. Let The Rhythm Hit 'Em (Colored Vinyl) Vinyl 2LP · MCA Records. sale $


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Colors of vinyl used were green, blue, red, yellow, purple and orange, though red was by far the color used most often. Columbia also pressed at least 14 colored.


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colored vinyl records

I will sacrifice slighty better sound quality for an artifact that has history ingrained in it ie. To make any other color, dyes are used instead of black carbon. Even the sleeves were better quality. A few exceptions exist: Clear vinyl, picture discs and glow-in-the-dark pressings are more susceptible to poor playback. And, yes, picture discs are still more prone to be problematic, at least regarding playback durability.

For decades, colored vinyl was looked upon as some open joke. The process of pressing a multi-colored vinyl adds about a dollar to the production cost, so from a material perspective, yes, colored vinyl records are worth more.

This final thin and malleable plastic layer is not as durable as regular records, which can negatively affect both the playback and long-term durability. After that they charged a premium for deluxe. To make the standard black vinyl color, black carbon is often added, which strengthens the PVC mix.

I have always found it questionable the sound of colored vinyl, with picture discs sounding the worst. Also picture discs have improved a lot since the glory days when picture discs were all the rage.

I have found though that there are some really good quality colored vinyl out there and it seems to be the gram and above that sound the best. Not sure if anyone out there knows something about this, but i have recently found that colored vinyl and other variants arrive warped FAR more often than black wax.

That being said, when I had the choice, I always went for the colored vinyl records discs and colored vinyls, even knowing them to be not as good. However I do still buy vinyl on occasion depending on various factors and have accumulated a nice little collection since the 80s.

It really just depends on the particular pressing. All vinyl records are made of PVC, which is naturally colorless. But this seems to be an exception from the rule. Any way you cut it, many collectors will seek out the wacky colored variant without exception.

When in doubt about a pressing quality check out the Reviews section on the Discogs release page. The notable exception is glow-in-the-dark plastic, which is dreadful stuff.

They could cause clicks, pops, skips, etc. Not blaming the record companies, just the colored vinyls… any thoughts? The labels were punched out before the vinyl was ground up and melted down.

The album has been released a number of times after this pressing, and even the later four-disc deluxe set on black wax sells for a third of the blue variant price.

Sometimes you would see pieces of the old labels in the vinyl. If an album comes out on colored wax you can almost be certain that it will be more sought after in the future. Colored vinyl is nice. For those slots coupons 2020 say record companies always punched out label centers before melting down old vinyl to make new vinyl pressing ….

Especially if one of the sections is black. Vinyl is the ultimate historical musical artifact. Well, those times have certainly changed. The worst in this case are the clear vinyls. Not going to lie.

I have nothing against colored vinyl as long as these two jobs are done well. Sometimes a bit of label would get in with the vinyl if the label were originally off-center, for examplebut that was pretty rare.

Colored vinyl records a dimly lit room, it made for some funnily frustrating times. Where you will naturally find playback issues is on discs pressed with multiple colours, either in segments or as splatters, especially mixtures of opaque and transparent plastic.

I mean, come on…who read article wants to buy cassettes?

It took 5 fives minutes to realise it was looping! Love all the comments on this informative article. This drives down supply while increasing demand, leading to higher market costs. And on a side note: nothing beats the look of a well colored vinyl records splatter vinyl!

Nevermind has been repressed on vinyl more than times over the years and among the many pressings there are a smattering of colors, gatefolds, tri-folds, billfolds, and probably skin-folds as enticements to throw down money and hear this album once again on a shiny new piece of wax.

The purer the vinyl virgin yes even blackthe more light would show through. When I play them out on a big system nobody ever came to me and complained. I experiencing a colored vinyl records more warping, rough edges, particles in the grooves and kinked inserts and inner sleeves.

Almost exclusively classical music targeting people who wanted high quality sound. Imo your speaker system, turntable set up and needle!! The sound difference between black vinyl and colored vinyl is really not that discernible.

We can be fussy or go on with it and make it better for those sensitive audiophile ears who have a great system set up at home. I always wondered…is there really a difference?

Also I find it irritating that when some artists release an LP there can be up to 10 different variations colored vinyl records the release! Sure there was warping back then too but usually on popular releases that would sell a lot of units and they packed and shipped them quickly before they completely cooled from the pressing process.

Sitting on the orange shag carpet, gazing at the album jacket. Just my two cents :.

Back in the days of DJing it could be a bit of a nightmare trying to quickly cue up the track you wanted because the cue point ie start of the track would show on both sides and mistakes could be made when you thought you had cued it up only to find out it was halfway through the desired track because you were literally looking at the track on the other side of the vinyl. Almost without exception, a colored vinyl disc would play with much more noise and hiss compared to their black counterparts. Pressing and mastering are much more significant than the color of the vinyl. There is more surface noise to colored vinyl as opposed to black vinyl. But things have changed for sure, in these last years. You cannot reflect light and see the possible defects as well as black vinyl. I am happy someone brought this up. Not being an audiophile, I always liked vinyl and specially limited editions. To turn this clear material into a solid color titanium dioxide and other additives are mixed in. Vinyl records are collectible items, with more colorful pressings often increasing the aesthetic appeal. A fine example of unbridled financial hysteria is in the case of the recent Mondo repress of the soundtrack by Alex North. Colored variants to me have always seemed like cheap alternatives issued only as cash-grabs. Annoying AF! No color of any kind can match it. I always buy the black version for my play copy and leave the other variation just to look at occasionally. These dyes do not strengthen the vinyl in the same way as black carbon, but the difference is negligible unless mistakes are made in the production process. My only bugbear is the near transparent vinyl with multiple tracks on either side. The real cost differences come from colored releases often being pressed in limited batches. The first layer is a clear record with no music, the second is the picture layer, and the third is a clear plastic sheet that contains the grooves. Clever minds have ingeniously paired colors with the vibe of the record. Frampton Comes Alive comes to mind. I am not an audiophile and never have been in all my 46 years of listening to vinyl except classical music which is better on cd! A way that record companies could charge more while distancing themselves from what many music lovers demanded from their records: high-quality sound. Picture Discs are a different story. Chances are, other collectors have listened to the pressing and can provide a sneak peek into the quality. I learned as a child at elementary school age how to play vinyl and care for it. Good thing, though, Kubrick otherwise went with a smart choice of timeless Classical blended-with some Avant-Garde of the era instead for the final product. First off, did we need this repress? Sure, there are exceptions to the rule. When buying a second hand record, colored vinyls are a minefield. Nice article. With original pressings being relatively easy to find and affordable, this release showcases how badly record companies overthink the success of RSD, a common complaint which we recently explored. They are typically made of 3 layers. Long live vinyl!! This would have been unfathomable just twenty years ago. I own multiple copies of split, tri-colored and quad-colored vinyl and if you listen to those LPs with head phones on you can tell the difference in surface noise. I always opt for black vinyl when I can. And colored vinyl has reached near ubiquitous levels. Very few additives can be mixed into clear vinyl without jeopardizing the opacity, which means there is a potential for worse sound quality, albeit this drop is often imperceptible to the common listener. I manufacture vinyl for a living. Everything about the vinyl should feel like it represents what the music is about. Flip back garrod and loft house for example.